Essentially, this is the ancient and cynical view that religion
is a useful coercive delusion fostered among the people by the elites to enlist
loyalty and obedience, condemned and turned to scorn by the Age of Reason and
the Enlightenment.
Google “The Book of the Three Impostors” and consider the related view that Mohamed, Jesus, and even
Moses not only exploited but personally invented such politically useful fantasies,
advocated by no means uniquely by Spinoza.
One does not have to be an atheist to hold either opinion, or
an amoralist.
Voltaire was neither, and yet he was one of the first and most
relentless enemies of supernaturalism and every form of revealed, miraculous, organized
religion, and one of the most effective who have denounced it as a political
con.
Though it was an attack on such political exploitation
of the credulity of the masses by Mohamed and his lieutenants for which Voltaire
sought the patronage of the pope, Le fanatisme, ou Mahomet le Prophete was
condemned by the authorities of his time as targeting religion in general,
Catholicism in particular, and the clergy and political elites of the age.
Not long ago, European Muslims prevented the play being put
on in Geneva, denouncing it as hate literature derogatory of their prophet and
their religion.
Compare this play with Moliere’s Tartuffe, which portrayed religious devotion as the masquerade of a confidence
trickster seeking financial and sexual advantage.
That play was banned but eventually performed with the sponsorship
of an irreligious king over the objections and protests of religious nobles,
clerics, organizations, and authorities - objections of a kind which have continued into our own century.
It is an interesting question whether it would ever have
been performed, and even whether Moliere would have lived, had he, instead of
Voltaire a century later, written and attempted to present Le fanatisme.
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